Grant Nicolas knows his way around a melody and a soaring, anthemic chorus as well as any songwriter in the business. Songs just pour out of him. And while not all of them are as catchy as Buck Rogers, they cover a broad pallete of loud/quiet/heavy/poppy/punky and grungy indie-rock, sometimes all in the same song and always accessible. When it comes to longevity, Feeder keeps coming back around, and the guitar-rock scene is all better for it.

Hang out for a day with UK ‘alternative radio’ (if indeed it still exists) and at some stage you will hear them spin Feeder’s “Buck Rogers”. The track reached number five on the UK chart back in January 2001 but remains a radio standard even in its 21st year. Grant Nicholas originally wrote the song for another band (SR-71, then being produced by Gil Norton). Grant was trying to impress Norton in the hope he would be persuaded to work with Feeder. Despite the Sci-Fi character title (adopted purely because Nicholas fancied the tune sounded futuristic) the track is a drunken break-up song, knocked out quickly after a drinking session down the pub (Grant was drowning his sorrows after splitting up with his girlfriend).  Buck Rogers contains a big guitar riff and stream-of-consciousness lyrics about being jealous of his rival’s brand new Jaguar (with a CD player) and whatever else came into his drunken head. Including drinking cider from a lemon.

The rest is as they say, history: but a very important part of Feeder’s history - and with a plot twist. Through the medium of song, one man’s momentary misery and frustration has led to millions of joyous moments. And while cars no longer come installed with CD players, people will always want to drink themselves silly and sing along to Buck Rogers (the song may well surpass 50 million streams soon). Not only that, but Grant came up trumps not just by way of a hit single, but by winning over Gil Norton to become the band’s next producer. Oh, and the lost girlfriend? - that would be Kana - his wife and mother of his two kids. Sometimes the ability to write a good song can take you a long way. 

Having a bona fide top five hit was never going to put Grant Nicholas under any pressure to repeat the trick. Songs just pour out of him and while not all of them are as catchy as Buck Rogers, Nicolas knows his way around a melody and a soaring, anthemic chorus as well as any songwriter in the business. When we spoke on The Art of Longevity I asked Grant how come he hasn’t often been asked to write for others (he has only a little, and I hesitate to suggest he could do more, not wishing to worry Feeder fans we’ll lead him astray). It remains an option, always. 

Feeder may not be fashionable but they have made it through the music industry mangle - achieving chart success, playing arenas and having made a bunch of very good albums (with Comfort in Sound a genuine rock classic). These days it’s all about the joy of new songs and playing to the fans. Nicholas and his co-founder member/bassist Taka Hirose soldier on as Feeder through thick and thin, yet they operate with an enthusiasm and energy befitting of an up & coming rock band blossoming for the first time. Where a lot of their contemporaries have fallen by the wayside, Feeder stayed on the bus. 

When it comes to longevity, Feeder keeps coming back around. And the guitar-rock scene is just that bit better for it.